Ukrainian Gymnastics Star Sends A Strong Request To FIG Over Competition Decision Before Worlds

Russian and Belarusian gymnasts are about to reappear on the world stage for the first time in three years, but their return has not been greeted with universal approval. When the International Gymnastics Federation (FIG) opened the door in January for athletes from the two nations to compete under neutral status, it appeared to mark a quiet resumption of normality. Yet the announcement that five athletes have registered for this month’s FIG World Challenge Cup in Paris has instead revived one of the sport’s most politically charged disputes.

The original ban, enacted in March 2022, had excluded both athletes and officials from all FIG events. That restriction remained in place until the beginning of 2024, when the federation introduced a framework for “individual neutral athletes” stripped of flags, uniforms, and national anthems. Even under those conditions, participation comes with strict rules: No team entries, no display of national symbols, and no involvement of sanctioned officials. Still, for many observers, the policy’s technical neutrality cannot separate competition from the ongoing reality of war.

Among the most prominent voices of dissent is Lilia Podkopayeva, Ukraine’s celebrated 1996 Olympic all-around champion. Speaking with Forbes after the registrations were confirmed, she called the decision a profound mistake. She argued that sport cannot function in isolation from armed conflict, noting that every medal secured by Russian or Belarusian athletes risks being used as a political instrument. 

Podkopayeva pointed out how the situation renders international competition morally untenable. For her, the injustice lies not merely in symbolism but in lived reality. It is a contrast that, in her view, discredits the values sport is meant to preserve.

As she put it directly to the governing body, “I urge (International Gymnastics Federation) and the sporting community to draw a clear moral line: protecting sport begins with protecting human life.”

Her statement aligns with the Ukrainian Gymnastics Federation’s broader stance, which has consistently pressed international organizations to maintain sanctions until hostilities cease. While FIG maintains its framework of neutrality, Podkopayeva’s objections illustrate how fragile that notion remains.

For the gymnasts now preparing to compete in Paris, the event is an opening to return to their craft. For others, it represents the blurring of a line between athletic competition and geopolitical accountability that should never be crossed. And if you remember, before the Paris Olympics unfolded, only one Russian and two Belarusian gymnasts earned the IOC’s approval to compete there after enduring a rigorous vetting process.

How three gymnasts cleared IOC’s strict vetting to compete in Paris under neutral status

Three gymnasts, one Russian and two Belarusian, eventually reached the Paris Games, but their path to the arena was marked by a deliberate and exacting review.

The International Olympic Committee had insisted upon a two-tier examination, which determined eligibility on the basis of conduct, affiliations, and adherence to the principles of the Olympic Movement. Only those who could withstand such scrutiny were permitted to step forward. This narrow passage was not designed to be generous, but rather to guarantee that the appearance of these athletes would not contradict the declared mission of neutrality.

The Gymnastics Committee introduced stipulations that reshaped the very framework of their participation. The gymnasts entered as Individual Neutral Athletes, stripped of the emblems and sounds that ordinarily define representation. They could not join a national roster, nor could they march at the opening ceremony among their peers. Uniforms were shorn of familiar colors, and medals, if earned, accrued only to their names rather than a national tally.

As the IOC explained, “They would have to refrain from sporting any emblems, anthems, or flags.” The absence of such markers was not incidental. It underscored the insistence that their presence should be athletic rather than political.

Even the invitation to compete did not arrive without conditions. Each athlete had to affirm a declaration of support for the peace mission of the Olympic Movement, thereby binding their performance to a wider symbolic charge. The arrangement left them visible, yet distanced, as they moved through a tournament where recognition was personal but detached from the collective identity of their homelands. The measures were both restrictive and defining, shaping their journey in Paris as one of profound individuality within the framework of international sport.